| Music profile: Hamilton sinks teeth into edgier rock sound |
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Nathan Hamilton's first album in 2000 was undoubtedly Texas-roots country, but the soulful songwriter's fourth CD titled Six Black Birds has shifted into the rock realm. “I did actually tell the band ‘No twang' on the first day in the studio,” Hamilton said. “ I knew that I would be drawing a line in the sand for many people with this record. If you listen to it back-to-back with my first record Tuscola, then it sounds like a drastic shift. However, for those who have been coming to the live shows in the last few years, they should not be too surprised.”
Hamilton, an Austin native, swings between a country sound with the folk tunes he is known for when playing solo and a heavier or indie rock feel when he's with the band. “Musically and sonically, I was partly drawing on earlier influences and bands I was listening to in high school like the Teardrop Explodes, the Replacements and the Commotions. I also have been influenced a lot in the last few years by many of the Euro-pop bands like the Frames, Radiohead and Elbow,” he said.
“Frame to Finish” shows the softer side of the album. A slower love song, it shows the range of Hamilton's writing ability while offering up smooth, but not weak, harmonies and accompaniments. With Billy Brent Malkus's guitar riffs and Hamilton's powerful lyrics, “Burn” is like a call to arms, protesting corporate America.
With Six Black Birds, Hamilton shows, he's grown more complex and evolved as a singer and songwriter. He this album is his most personal. “.‘The Cut' is probably the most personal song I have ever written. Many times in a song, even if I am singing in first person, it is still about someone else. In that one, I am not hiding behind a character at all,” Hamilton said. Nathan Hamilton performs Sunday afternoons at Opal Divine's in Austin (Penn Field location, 3601 S. Congress Ave.). Visit wwwnathanhamilton.com for more information and tour dates. |
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